Dolls

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"Three stories of never-ending love."
  • 2002
  • 1 hr 54 min
  • 7.5  (17,228)
  • 71

Dolls is a poignant and visually arresting Japanese film released in 2002, directed by the renowned auteur Takeshi Kitano. The film weaves together three separate yet thematically interlinked storylines, each exploring the spectrum of love and loss, attachment and sacrifice. Kitano, who is known for his distinctively minimalist style, infuses Dolls with both a poetic and melancholic atmosphere that resonates with traditional Japanese theatrical aesthetics. The title itself draws inspiration from 'bunraku', a form of Japanese puppet theatre which utilizes intricately crafted dolls to tell complex emotional narratives often centered around doomed love.

The film’s narrative tapestry unfolds in an anthology format, with each story informed by a particular season, reflecting the cyclical nature of life and the transient beauty of relationships. The segments are expertly interlaced, creating a contemplative rhythm that invites viewers to immerse themselves deeply in the emotional landscapes of the characters. These stories are visually punctuated by striking tableaus and lavish colors reminiscent of the changing Japanese seasons, which serve as both a backdrop and a reflection of the internal states of the characters.

The first segment traces the sorrowful journey of a young couple, Matsumoto and Sawako, portrayed by Hidetoshi Nishijima and Miho Kanno respectively. Once bound for conventional success, Matsumoto is a man derailed by his devotion to Sawako, whose fragile mental state has left her in a childlike limbo. Their bond is symbolized by a red cord that both connects and confines them. It is a haunting representation of their commitment and the societal judgment they face as they wander through the varied landscapes of Japan. Their story is a harrowing portrayal of the lengths to which individuals will go to uphold a promise and the enduring power of a past love.

Dolls segues into its second chapter with an elderly yakuza boss, played by Tatsuya Mihashi, who reflects on regrets from his youth. He contemplates a decision he made in the name of ambition over his heart's desire. Through a pilgrimage back to places from his past, he seeks closure and atonement for his life's choices. Kitano masterfully contrasts the protagonist's worn face with the scenic beauty he traverses, underscoring the bittersweet nature of nostalgia and the human inclination to ponder "what could have been."

The third and final narrative thread follows the tale of a disfigured pop star, who has retreated from the public eye following an accident. Her most fervent fan struggles with the reality of her altered appearance and his own unwavering devotion. This segment explores the concepts of beauty, celebrity worship, and the depth of admiration that can both uplift and consume a life. It is a contemporary story that juxtaposes the ephemeral nature of fame with the steadfastness of true affection.

Throughout Dolls, Kitano infuses the film with a rich visual language that speaks to the themes of love, sacrifice, and the painful beauty found within human connections. His meticulous attention to costume and set design reinforces the parallels between the characters' lives and the carefully controlled movements of bunraku puppetry. The performers embody their roles with a sense of reverence and subtlety, translating their profound emotions with few words and measured gestures, much like the dolls of the theater from which the film draws its name.

Cinematography plays a crucial role in the storytelling of Dolls, with wide, picturesque shots that allow viewers to fully absorb the tranquility and tension of the scenes. Kitano strategically uses color, not only to signify the changing of seasons but also to evoke the characters' inner worlds. The visual motifs and recurring symbols support the film's thematic resonance and the cyclical structure, providing a sensory experience that complements the narrative progression.

The film’s score further elevates the emotive power of the imagery on screen. Composed by Joe Hisaishi, the music is both haunting and beautiful, creating a sonic landscape filled with as much longing and poignancy as the lives depicted. It is a score that lingers in the mind long after the final credits have rolled.

Dolls stands as a testament to Kitano's artistic vision, simultaneously encapsulating the delicate artistry of traditional Japanese storytelling while posing timeless questions about human emotion and connection. The film is an exquisite piece of cinema that sits at the intersection of drama, art, and philosophy. It provides an affecting and thoughtful meditation on the enduring and enigmatic nature of love, inviting the audience to reflect on the deep bonds that shape our lives and the sacrifices we make for them.

Dolls
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Description
  • Release Date
    2002
  • Runtime
    1 hr 54 min
  • Language
    English
  • IMDB Rating
    7.5  (17,228)
  • Metascore
    71
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