Opening with a wedding between two young Communists, officiated by a CP functionary, under the poster of Mao-Tse Tung, the bride suddenly spears the man and escapes, chased by the police. This is the end of 'Cataratte', a 10-years old action B-movie projected in an open air cinema in honor of Bruno Bonomo (Silvio Orlando), a cockeyed film producer, who did some trash movies starring his wife Paola (Margherita Buy) in the 1970s. He also has two young sons loved by him and his wife. During this hommage, a young woman presents him the script of a movie she wants to direct with his help. Slated to start on a project celebrating the return voyage of Colombus just after his discovery of America, Bruno is stunned when his director, Franco Caspio, quits because of the low budget. Suddenly Bruno has no projects, no financing and no leverage. Added to his many troubles, Bruno's wife asks for a separation even though they have two sons. She wants to pursue her artistic options. Bruno reads the offered script and realizes that it's a thinly disguised account of Silvio Berlusconi, the Italian media magnate who promoted his political career through his TV stations. Knowing this could draw political and legal heat, not to mention difficulty for finding funding, the young woman convinces Bruno to start production on Il Caimano. Secret money, slush funds and Swiss bank accounts start the Crocodile's career as a big building developer. She hopes that the film will influence voters in the elections slated for 2006. Starting to fall in love with the writer, Bruno meets her lesbian partner and her son 'made' in a 'journey' to the Netherlands. The production of the film is rife with problems, including the defection of the main actor Marco Pulici (Michele Placido), but the plot of Il caimano also deals with the domestic issues between Bonomo and Paola until their final separation, with the compromises made for their two sons. Despite growing evidence that his film will never be completed, Bonomo decides to shoot the last scene, which shows the political nucleus behind the film: in it, Silvio Berlusconi (played by Nanni Moretti himself) enters the tribunal room to hear the ruling against him (see Legal investigations of Berlusconi), which sentences him to seven years of jail. Notwithstanding the sentence, Berlusconi/Moretti exits the tribunal while a crowd throws debris at the judges, including a Molotov cocktail. The whole, crude scene is not only an allusion to Berlusconi's judiciary controversies, but also to his powerful ability to communicate, which (in Moretti's view) led Italian people to support him anyway despite his controversial past.