Sin City
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Sin City

"There is no justice without sin."
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R
| | 2 hr 6 min | Drama, Action & Adventure, Mystery & Suspense

Sin City is a neo-noir crime thriller based on Frank Miller's graphic novel series of the same name.The film is primarily based on three of Miller's works: The Hard Goodbye, about a man who embarks on a brutal rampage in search of his one-time sweetheart's killer; The Big Fat Kill, which focuses on a street war between a group of prostitutes and a group of mercenaries; and That Yellow Bastard, which follows an aging police officer who protects a young woman from a grotesquely disfigured serial killer.

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Stars
Jessica Alba, Devon Aoki, Alexis Bledel, Powers Boothe, Rosario Dawson
Director
Robert Rodriguez, Frank Miller (II)
Language
English
Jump to: Critic Reviews | Video Clips | News
A worthwhile piece of eye candy.
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Chicago Reader
Top Critic
In the end, I have to say I liked Sin City almost in spite of myself.
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New York Observer
Top Critic
The movie feels like a reductive exercise. Rodriguez might have accomplished what he set out to do, but I'm not sure he's done anyone any favors.
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Los Angeles Times
Top Critic
To remember Sin City hours later is to remember from a different part of the brain that remembers conventional movies.
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San Francisco Chronicle
Top Critic
Ultimately comes off as an exercise in cold-blooded stylishness, uninvolving and overlong at 2 hours and 6 minutes.
Philadelphia Inquirer
Top Critic
Watch it, listen to it. Just don't chew on it too much. It's not great art, and it's not great literature. It is just the flat-out coolest looking movie to come along in years.
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Orlando Sentinel
Top Critic
Mixing live-action with computer-generated images, it looks like the novels, talks and bleeds like the novels, is as muscular and voluptuous as the novels -- and it leaves you breathless as only a movie can.
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New York Daily News
Top Critic
It's loud, large, sick and a whole lot of fun.
Detroit News
Top Critic
Without doubt the most visually stunning live action transfer of the comic book format to the big screen ever made.
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CNN.com
Top Critic
Rodriguez and company have so faithfully captured Miller's essence, there's something beautiful about the whole thing. It's an act of inspired reverence.
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Washington Post
Top Critic
Every now and then, a movie does more than gamely defend the status quo but actually advances the art form. So it is with Sin City, a stunning, brutal vision of a city gone mad.
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Arizona Republic
Top Critic
I can't endorse the content, but I can't dismiss the presentation. Sin City is superlative filmmaking in service of a poisonous view of humanity. It's a dangerous work of art.
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Minneapolis Star Tribune
Top Critic
So seduced by the visual possibilities of sin that style becomes its own vice.
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Entertainment Weekly
Top Critic
There's something to appreciate around every corner -- the gritty characters, the uncompromising story, and, most of all, visuals to astound and amaze.
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ReelViews
Top Critic
On one hand, Robert Rodriguez drenches "Sin City" in his usual monsoon of ironic, macho macabre. On the other, do-gooder pride prove as dangerous as broads or bad guys, offering a thematically gray complement to arctic-white, inkblot-black visuals.
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Suite101.com
Hot chicks, big guns, bad ass bruisers, what more could you ask for?
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Cinema Crazed
...a gleaming pop revelation, a completely realized vision...
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eFilmCritic.com
About as close to geek heaven as a film adaptation has ever been.
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Big Picture Big Sound
The world Miller and Rodriguez have created is so bleak and nasty it's difficult to see what lasting value any sort of redemption could have here.
Christianity Today
What an electric cast!
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Film Threat
If Raymond Chandler and Daffy Duck could have produced a child, Sin City would be their baby.
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New York Magazine
Top Critic
Robert Rodriguez is one audaciously talented man.
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Ebert & Roeper
Top Critic
Two hours and six minutes has never seemed so much like two and six-tenths seconds. It's pure pulp metafiction.
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Washington Post
Top Critic
The most gorgeous digital movie ever made. It represents a stunning leap forward in both the technology of digital cinema and the art of filmmaking.
San Jose Mercury News
Top Critic
You've got to hand it to Miller and Rodriguez. Their Sin City is no place for tourists.
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Toronto Star
Top Critic
Undeniably exciting, and as close to a comic book as the movies have ever gotten. It's a fun ride.
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Newark Star-Ledger
Top Critic
Except for the striking images, it starts to fade even as you're watching it. It is such a bold and striking movie, however, that for the first time we can appreciate the full potential of what Rodriguez has wrought.
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Houston Chronicle
Top Critic
A redemption saga as overripe with religious allegory as it is anything else, in search of a confession booth or maybe just the hard stuff straight up or even a cold shower. But you won't simply leave it behind. It hurts too good.
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Detroit Free Press
Top Critic
Sin City is the first great Hollywood joy ride of the year.
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Boston Globe
Top Critic
Sin City is one of those films that you know going in is either going to be super-cool or ultra-awful. And in this case, depending on how you look at it, you can't lose or you can't win, because it's both.
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Dallas Morning News
Top Critic
Sometimes it all seems as schematic as a theme park attraction. Mostly, though, the movie comes across like the fever dream of a smart, put-upon adolescent who'd been up all night watching every black-and-white crime movie made since the sound era.
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Newsday
Top Critic
A movie of such high style, done in such a spirit of electrifying fun and creativity, that it kisses the blood right off its own violent hands.
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Chicago Tribune
Top Critic
Rodriguez loves his material so much that he embalmed it.
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Village Voice
Top Critic
Sin City is a lot of things, but most of all, it's fun. It may not be for everyone, but everyone should see it once anyway, just to find out if it's for them.
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ComingSoon.net
My own trajectory while watching Sin City--excited, bored, offended...back to bored...roll credits
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Cinema Writer
"Sin City" is a high contrast tour de force cinematic adaptation of Frank Miller's hugely popular and wickedly grotesque graphic novel homage to the hard-boiled style of Dashell Hammett and Mickey Spillane.
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ColeSmithey.com
Eager to blaze trails for desktop moviemaking, what did these artists do? Throw fuel on the fires of viewers' basest appetites.
Looking Closer
For those who revel in this kind of adrenaline rush spectator sport, let the games begin.
Long Island Press
Immensely likable and ultimately cool.
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Combustible Celluloid
It is bare, and bold, and necessary.
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Film Threat
Can bring more pain than satisfaction.
New Yorker
Top Critic
It's a hard, viciously funny little movie, one with all the subtlety of a billy club. But there's artistry here, too.
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Salon.com
Top Critic
Miller's world of rough customers living on the wild side possesses a sordid allure, which the directors dazzlingly deliver to the screen.
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Variety
Top Critic
Sin City is a hard, cold, relentless assault. It's also something Hollywood seems to have given up on: a bold, uncompromised vision.
Rolling Stone
Top Critic
I loved it, I loved it, I loved it. I loved every gorgeous sick disgusting ravishing overbaked blood-spurting artificial frame of it.
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Slate
Top Critic
Unlike anything you've ever seen before.
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New York Post
Top Critic
This big-screen treatment of Miller's graphic novels is a soft- core marathon of stylized mayhem, flesh-pot excess and cinematic pretense.
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Denver Post
Top Critic
If you have a taste for this sort of thing, it's difficult to imagine how it could be done any better.
Denver Rocky Mountain News
Top Critic
It'll be interesting to see how time treats City's novelty value once live action/computer screen hybrids become more common. Right now it looks like one of the movies that will define its year even more than the Kill Bill duo did.
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USA Today
Top Critic
Sin City has been made with such scrupulous care and obvious love for its genre influences that it's a shame the movie is kind of a bore.
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New York Times
Top Critic
It's a visualization of the pulp noir imagination, uncompromising and extreme. Yes, and brilliant.
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Chicago Sun-Times
Top Critic
What we get is a preponderance of sameness. A movie with one vibe that oversells itself and, eventually, overstays its welcome.
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Atlanta Journal-Constitution
Top Critic
The major problem is that after about 10 minutes, you've seen all the movie's tricks. The look is hypnotic yet never changes.
Hollywood Reporter
Top Critic
This extremely violent movie is NOT for kids.
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Common Sense Media
Sin City is the most accurate adaptation ever done of a comic book.
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Dark Horizons
A Ground-Breaking Piece of Film-Noir Fantasy.
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Cinefantastique
While the book succeeded in pushing the boundaries of its medium, the film merely feels like a triumph of technology.
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Time Out New York
For all its visual razzle-dazzle and enjoyably bad-ass attitude, there's something curiously empty about Sin City.
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Film Journal International
For the guys it's Rodriguez's best film by far and a treat for fans of good-looking girls in black-and-white, of classic film noir and of imaginative ultra-violence.
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Empire Magazine
An instant movie classic.
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