Watch We Don't Care About Music Anyway

We Don't Care About Music Anyway is a Japanese movie that was directed by Cédric Dupire and Gaspard Kuentz, which was released in 2009. This movie falls under the category of a musical drama that showcases the various forms of underground music in Japan. The plot of the movie revolves around seven musicians, who are from diverse musical backgrounds and have different talents that range from beatboxing to guitar strumming, saxophone playing to experimental music creation. They all reside in Tokyo and are continually breaking the rules of traditional music-making. They participate in various musical performances throughout the city, improvising and challenging the musical boundaries of their time. The movie documents their creative journeys and their constant pursuit of music while exploring different themes such as self-expression, conformity, and artistic freedom.

The central character in the movie is Hiromichi Sakamoto, who is often referred to by his nickname, Hiro. He is a young DJ and has a particular interest in scratch music. Hiro is also one of the most prominent figures in the underground music scene in Tokyo, and he possesses a natural flair for music-making. His inventive skills at creating music through turntables are awe-inspiring, as he turns the mundane sound of a refrigerator into a fascinating beat. Hiro represents the epitome of artistic freedom, and his character acts as a catalyst to inspire other musicians around him.

Another integral character in the movie is Tomoko Shimazaki, who is an experimental pianist. Tomoko is quiet and reserved, often found playing her piano in silence while tuning to the sound of her inner voice. She pens her music, and her emotional chords strike deep into the hearts of her audience. She is trying to find her footing in the music industry and is conflicted with the age-old question of whether to conform to the traditional ways of music or to carve a new path for herself.

Ken Takehisa is another central figure in the movie. He is an experimental music creator due to his experimental instruments creations. Ken, unlike the previous two characters, has developed his instruments, which he uses to create music that doesn't conform to the traditional forms. His music is chaotic, and it challenges the audience's musical senses, giving him the reputation of being the enfant terrible in the music scene.

Aside from the main characters mentioned above, the movie features several other musicians who all have equally unique sounds and instruments. They are all trying to express what inspires them and to improve their craft by pushing the limits of conventional music-making. The film takes a documentary-like approach in which the directors interview each of the musicians and showcase their lives, dreams, and tribulations while creating their music.

The setting of the movie is mainly in Tokyo, and the film's cinematography is exemplary. The camera work is deliberate in its choices, providing the audience with a sense of Tokyo's bohemian underground music scene. The city's urban environment becomes an accessory to the music, as the camera portrays the musicians performing their music in a variety of unique locations such as train stations, public parks, and subway stations. The use of vibrant colors, long shots, and close-ups, maintain a consistent style throughout the movie, accurately representing the frenetic energy of the city's underground scene.

Overall, We Don't Care About Music Anyway, is a captivating movie that depicts the struggle of unconventional artists. The movie's emphasis on individuality, self-expression, and the journey for artistic freedom is relatable, and the musical performances add to the film's overall visual and emotional impact. The movie's unique charm is its ability to take the audience on a musical journey, and it's a must-see for those who want to discover Japan's underground music scene.

We Don't Care About Music Anyway is a 2009 music movie with a runtime of 1 hour and 20 minutes. It has received mostly positive reviews from critics and viewers, who have given it an IMDb score of 6.8.