Watch Dollhouse: The Eradication of Female Subjectivity from American Popular Culture

Dollhouse: The Eradication of Female Subjectivity from American Popular Culture is a satirical movie that was released in 2018. The film explores the objectification and exploitation of women that is rampant in popular culture. It is a dark comedy that is both thought-provoking and disturbing. The film is the brainchild of Nicole Brending, who wrote, directed, produced, and starred in the movie. Brending plays the role of Junie Spoons, a fame-hungry pop star who wants nothing more than to be adored by her fans. She is joined by Sydney Bonar, who plays the role of Fanny, Junie’s best friend from childhood who becomes her personal assistant as an adult. Aneikit Bonnel rounds out the cast as Mary-Anne, Junie’s long-suffering mother.

The story follows Junie as she rises to fame as a pop star. She is managed by a team of men who are obsessed with controlling her image and exploiting her for their own gain. The men in her life are portrayed as exploitative and cruel, treating Junie like a toy rather than a human being. As the story progresses, Junie becomes increasingly unhinged and volatile, lashing out at those around her as she realizes the depths of the exploitation she is experiencing.

Throughout the movie, the objectification and exploitation of women is explored in a variety of ways. From the way Junie is forced to dress and pose for photoshoots, to the way she is expected to be sexually available to anyone who wants her, the film highlights the ways in which women are expected to conform to male desires in order to succeed in the music industry. The film even includes a scene where Junie is forced to perform a sex act on a male executive in order to secure a record deal.

Despite the heavy subject matter, the film is often absurdly funny. The performances of the three lead actresses are all excellent, with Brending standing out as particularly impressive in her dual role as writer and star. The film is shot in a style that nods to classic horror films, with exaggerated color palettes and dramatic lighting. There is a sense of unease that permeates the entire movie, as if the viewer is watching a car crash in slow motion.

The film is not without its flaws, however. Some viewers may find the humor to be too dark and disturbing, and the subject matter itself is certainly upsetting. There are moments of extreme violence and sexualized imagery that may be triggering for some viewers. Additionally, the film is not particularly subtle in its message, hitting the viewer over the head with its critique of the music industry.

Overall, Dollhouse: The Eradication of Female Subjectivity from American Popular Culture is a challenging film that is not for everyone. It is a bleak and often disturbing look at the ways in which women are treated in the music industry and pop culture more broadly. However, for those who are willing to engage with the film’s difficult subject matter, there is much to admire here. The film is a call to action, a bold statement that demands a reckoning with the ways in which our culture dehumanizes and exploits women. If you are willing to take that journey with the filmmakers, Dollhouse is a film that will stick with you long after the credits have rolled.

Dollhouse: The Eradication of Female Subjectivity from American Popular Culture is a 2020 comedy with a runtime of 1 hour and 15 minutes. It has received moderate reviews from critics and viewers, who have given it an IMDb score of 6.1.