Watch Chicagoland Shorts Vol. 3

Chicagoland Shorts Vol. 3 is a collection of short films created by Chicago-based filmmakers. Released in 2017, the anthology features seven unique stories with a total running time of 98 minutes. Each short is distinct in its style and subject matter, showcasing the breadth of talent and creativity within the Chicago film community.

The first film in the collection, "What Cheer?" by Anne Beal, is a vibrant and energetic portrait of the What Cheer? Brigade, a 19-piece brass band from Rhode Island that has been described as a "marching band on crack." The film captures the band's infectious energy and the joy it brings to people on the streets of Chicago.

Next, "The Rose of Jericho," directed by Maja Boudreau, offers an intimate glimpse into the life of a young girl who has just moved to a new neighborhood. As she struggles to adjust to her new surroundings, she discovers an unusual plant that seems to have the power to grant her wishes.

"Titmouse" by John Fecile takes a different approach, using animation to tell the story of a determined bird who is searching for a way to escape from his cage. With its whimsical animation style and playful score, "Titmouse" offers a lighthearted take on the theme of freedom.

The fourth film in the collection, "Pickle," directed by Amy Scott, is a heartfelt documentary about a family-owned pickle business that has been operating in Chicago for over a century. The film explores the rich history and tradition behind this iconic Chicago brand, as well as the challenges facing small businesses in the modern era.

In "The Glowing Hours," directed by Michael Ciulla, a man reflects on his life as he drives through the streets of Chicago at night. Set to a haunting score, the film uses stunning black-and-white cinematography to capture the city's beauty and melancholy.

"Used to Love Her," directed by Kibwe Tavares, is a sci-fi short that explores the relationship between a man and a robot in a near-future Chicago. With its sleek visual effects and thought-provoking premise, the film offers a vision of a world in which technology and humanity are increasingly intertwined.

The final film in the collection, "Mercy's Girl," directed by Emily Shesh, is a moving drama about a young woman who returns to Chicago after years of living on the road. As she tries to reconnect with her old life and former friends, she must confront the demons that have been haunting her for years.

Overall, Chicagoland Shorts Vol. 3 is a diverse and engaging collection of films that showcases the talent and creativity of filmmakers working in Chicago today. With its range of styles and subject matter, the anthology offers something for everyone, from heartfelt documentaries to whimsical animated shorts to thought-provoking sci-fi tales. Anyone interested in exploring the world of independent film should definitely give this collection a watch.