Ep 22. Postmodernism: New Tonality and Eclecticism

Postmodernism: New Tonality and Eclecticism is the twenty-second episode of the first season of the Great Music of the 20th Century television series. The episode focuses on the musical genre of postmodernism, which emerged in the late 20th century as a rejection of the strict modernist principles that dominated in the preceding decades.

The episode begins with an introduction to the key features of postmodernism in music, including its rejection of the concept of a single, fixed tonality and its emphasis on eclecticism and pastiche. The host then takes the viewer through a selection of notable postmodern composers and their works, discussing each in detail.

One of the first composers featured is John Adams, whose minimalist-inspired music explores the beauty of repetition and simplicity. His work "Short Ride in a Fast Machine" is highlighted as an example of postmodernism's break with traditional tonality, incorporating elements of popular music and shifting tonal centers.

Next, the host discusses the music of composer Charles Wuorinen, whose complex, serial-inspired works incorporate elements of jazz and rock. Wuorinen's "Percussion Symphony" is analyzed, with a focus on its use of rhythm and timbre to create a postmodern sound that defies classification.

The program also examines the work of composer Philip Glass, another notable figure in the minimalist movement. His "Einstein on the Beach" is used as an illustration of postmodernism's embrace of theatricality and multimedia. The opera, with its hypnotic repetitions and minimalist orchestration, marks a significant shift away from traditional operatic concepts.

The host then moves on to discuss the jazz-inspired works of composer George Rochberg, including his String Quartet No. 6, which incorporated both classical and jazz elements. Rochberg's music is a prime example of postmodernism's emphasis on eclecticism and its rejection of dogmatic musical traditions.

The episode also features the music of John Corigliano, whose groundbreaking score for the film "The Red Violin" won numerous awards. His use of disparate musical styles to create a cohesive whole is examined in detail, with a focus on the film's use of music to create emotional resonance.

The episode concludes by considering the legacy of postmodernism in contemporary music, with a discussion of composers like Thomas Ades and Osvaldo Golijov. The episode highlights the ongoing influence of postmodern ideas, even as music continues to evolve and change.

Overall, Postmodernism: New Tonality and Eclecticism is a fascinating exploration of the key themes and trends of postmodernism in music. Through the use of prominent composers and their works, the episode offers an engaging and informative look at a pivotal moment in the history of classical music.