Watch Baghtos Kay Mujra Kar

Baghtos Kay Mujra Kar is a Marathi drama film released in 2017, directed by Hemant Dhome, and starring Jitendra Joshi, Aniket Vishwasrao, and Akshay Tanksale in the lead roles. The story of the movie is about the pride of Maharashtra and the historical forts in the state. The movie unfolds a political drama and a revenge drama over the backdrop of various historic forts in Maharashtra.

The movie begins with the introduction of Lavani, a Marathi folk dance traditionally performed by female dancers in Maharashtra. The story then moves to the beautiful fort of Murumbdev, a place that is now in ruins. The fort was once the centre of power from where the great Maratha king Shivaji ruled over large parts of the state. The movie showcases the journey of the protagonist, Onkar, who is a history fanatic, and his two friends Dolly and Dasharath, who all share his passion for history and the Maratha empire.

Onkar has a deep love and respect for the great king Shivaji and his legacy, and is constantly thinking of ways to revive the dilapidated condition of the forts in Maharashtra. He is determined to restore their lost glory and bring back the glory of Maharashtra's forts to its former glory. His inspiration for this comes from a story that his grandfather, a royal mason, told him about his work on the Murumbdev Fort.

Onkar and his friends discover that the government has been dishonest in maintaining these forts and that the funds meant for preservation have been siphoned off. This leads the trio to start a campaign to bring awareness about the state of the forts in Maharashtra and the need to restore them. They travel to various forts across the state to bring attention to their cause, and their efforts soon gain the attention of the locals, media and even the government.

Onkar wishes to see the forts become popular tourist attractions, just like the Taj Mahal in Agra. He wants to see them thrive and to be a source of revenue for the state. However, he also wants to ensure that the heritage of Maharashtrians is well-preserved and celebrated for generations to come. The team of Onkar, Dolly, and Dasharath go on an inspiring journey of rediscovery through the ancient forts and seek the public's involvement in their preservation.

The movie also touches upon the political scenario in Maharashtra, and its impact on various historical monuments. It raises questions about the responsibility of the government towards preserving heritage and its neglect, which often results in the loss of a region's cultural and historical identity. The trio's journey towards revitalizing the forts leads them to confront the hidden agendas of local politicians and a quest for finding justice for their ancestors.

The film has a perfect blend of drama, history, and humor, and the performances of the lead actors are praiseworthy. Jitendra Joshi as Onkar has done an excellent job in portraying the protagonist's love for history and his determination to restore the forts. Aniket Vishwasrao, who plays Dolly, has given an impressive performance and adds the much-needed light-hearted touch to the serious subject matter. Akshay Tanksale as Dasharath has complemented the other two actors with his strong comedic timing and on-point performance.

The music and songs of the movie have also received much applause from critics and viewers alike. The track “Phu Bai Phu” is a satirical take on Maharashtra's political landscape, and its witty lyrics have struck a chord with Marathi-speaking audiences.

Overall, Baghtos Kay Mujra Kar is a must-watch movie for anyone who loves history and wishes to learn more about the forts of Maharashtra. The movie showcases the teamwork of the trio in reviving the past and restoring the glory of the heritage of Maharashtra. It is an engaging and inspiring film and shows the true meaning of preserving and celebrating history.

Baghtos Kay Mujra Kar is a 2017 drama with a runtime of 2 hours and 21 minutes. It has received mostly positive reviews from critics and viewers, who have given it an IMDb score of 6.6.