Destricted

Watch Destricted

  • NR
  • 2006
  • 1 hr 56 min
  • 4.5  (2,824)

Destricted is a provocative and controversial collection of seven short films, each exploring the theme of sexuality and the human body through the lens of different artists. The films vary in style and content, ranging from experimental and abstract to explicit and graphic. The first film, We Fuck Alone, directed by Richard Prince, features footage of a woman masturbating while reading passages from her diary. The camera lingers on her body as she explores her own desires and fantasies, creating an intimate and voyeuristic experience for the viewer. The second film, Impaled, directed by Larry Clark, depicts a young man who has a sexual fetish for cars. He is shown engaging in sexual acts with a variety of automobiles, including a classic sports car and an SUV. The film is intended to challenge conventional notions of sexuality and desire. The third film, House Call, directed by Marco Brambilla, is a surreal and dreamlike exploration of sexual power dynamics. A woman is visited by a man who claims to be a doctor, but is actually there to fulfill her sexual fantasies. The film features striking visual imagery and psychological tension. The fourth film, Sync, directed by Matthew Barney, is a highly stylized and abstract examination of the relationship between the body and technology. Using a mix of live action and animation, the film explores themes of control and submission through the use of high-tech devices. The fifth film, Hoist, directed by Gaspar Noé, is a dark and intense examination of sexual power dynamics. The film depicts a sexual encounter between a man and a woman, with the man gradually asserting his dominance over the woman as the encounter becomes increasingly brutal and violent. The sixth film, Death Valley, directed by Sam Taylor-Wood, is a haunting and eerie exploration of the human body and mortality. The film features a man covered in black paint, his body twisted and contorted in unnatural positions. The film is a meditation on the fragility and vulnerability of the human body. The seventh and final film, Fidelity, directed by Marina Abramovic, is a deeply personal exploration of love, intimacy, and trust. The film features Abramovic and her then-partner Ulay engaging in an intense and emotional performance piece, in which they sit facing each other with their hair intertwined, their lips touching. The film is a testament to the power of human connection and the complexity of human emotions. Overall, Destricted is a challenging and thought-provoking collection of films that push the boundaries of what is considered acceptable in mainstream cinema. The films are not for the faint-hearted, and may be offensive to some viewers, but they offer a unique and uncompromising exploration of human sexuality and the human body.

Destricted
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Description
Destricted is a provocative and controversial collection of seven short films, each exploring the theme of sexuality and the human body through the lens of different artists. The films vary in style and content, ranging from experimental and abstract to explicit and graphic. The first film, We Fuck Alone, directed by Richard Prince, features footage of a woman masturbating while reading passages from her diary. The camera lingers on her body as she explores her own desires and fantasies, creating an intimate and voyeuristic experience for the viewer.

The second film, Impaled, directed by Larry Clark, depicts a young man who has a sexual fetish for cars. He is shown engaging in sexual acts with a variety of automobiles, including a classic sports car and an SUV. The film is intended to challenge conventional notions of sexuality and desire.

The third film, House Call, directed by Marco Brambilla, is a surreal and dreamlike exploration of sexual power dynamics. A woman is visited by a man who claims to be a doctor, but is actually there to fulfill her sexual fantasies. The film features striking visual imagery and psychological tension.

The fourth film, Sync, directed by Matthew Barney, is a highly stylized and abstract examination of the relationship between the body and technology. Using a mix of live action and animation, the film explores themes of control and submission through the use of high-tech devices.

The fifth film, Hoist, directed by Gaspar Noé, is a dark and intense examination of sexual power dynamics. The film depicts a sexual encounter between a man and a woman, with the man gradually asserting his dominance over the woman as the encounter becomes increasingly brutal and violent.

The sixth film, Death Valley, directed by Sam Taylor-Wood, is a haunting and eerie exploration of the human body and mortality. The film features a man covered in black paint, his body twisted and contorted in unnatural positions. The film is a meditation on the fragility and vulnerability of the human body.

The seventh and final film, Fidelity, directed by Marina Abramovic, is a deeply personal exploration of love, intimacy, and trust. The film features Abramovic and her then-partner Ulay engaging in an intense and emotional performance piece, in which they sit facing each other with their hair intertwined, their lips touching. The film is a testament to the power of human connection and the complexity of human emotions.

Overall, Destricted is a challenging and thought-provoking collection of films that push the boundaries of what is considered acceptable in mainstream cinema. The films are not for the faint-hearted, and may be offensive to some viewers, but they offer a unique and uncompromising exploration of human sexuality and the human body.

  • Release Date
    2006
  • MPAA Rating
    NR
  • Runtime
    1 hr 56 min
  • Language
    English
  • IMDB Rating
    4.5  (2,824)