Watch In defence of sacred images

The movie In Defence of Sacred Images, released in 2018, is a captivating and thought-provoking documentary that explores the controversy surrounding religious iconography and its place in modern society. Directed by Elena Dirstaru, the film takes viewers on a journey around the world, exploring various religious traditions and the conflicting beliefs about the use of images in worship. Through interviews with scholars, religious leaders, and activists, the movie depicts the complexity of the issue and raises important questions about the role of art and spirituality in our lives.

The film begins by addressing the importance of sacred images in different religions. Dirstaru shows how images have been used in religious rituals for thousands of years, and how they help people connect with the divine. We learn that different religions have different views on the use of images in worship, and that some oppose it altogether.

The movie then delves into the controversy surrounding religious iconography, starting with the prohibition on images in Abrahamic religions. The film analyzes the history of the prohibition and its impact on art and culture. We see how the banning of images has led to iconoclasm, the destruction of sacred images. The documentary highlights how damaging this can be to a culture's heritage and spirituality.

The film moves on to explore the use of images in Hinduism, Buddhism, and other Eastern religions. We learn that while these religions have a rich tradition of image-making, some sects view it as a hindrance to spiritual progress. The movie raises the question of whether the use of images leads to idolatry and whether it detracts from the essence of spirituality.

The latter half of the film focuses on contemporary issues surrounding religious iconography. We see how images have been used in political movements, and how they have become a site of conflict between different religious groups. The film addresses the question of cultural appropriation and asks whether it is ethical to use religious imagery outside of its original cultural context.

The documentary also examines the use of religion in the commercial sector, looking at how religious iconography is used in fashion, movies, and other forms of media. We are invited to ponder the ethics of using religious imagery for commercial purposes, and we learn about cases in which businesses have been accused of exploiting religious symbols for profit.

Overall, the film raises important questions about the role of images in religious worship and their place in society more broadly. It raises issues around freedom of religion and the protection of cultural heritage. We are invited to think about the power of images and how they can be used to inspire or manipulate people.

Part of what makes this documentary so compelling is the diverse range of voices it includes. The filmmakers interviewed scholars and religious figures from different faith traditions, as well as activists and artists who are engaged in the ongoing debate. This multiplicity of perspectives allows viewers to see the issue from different angles and encourages us to think critically about our own beliefs.

The film's production values are also noteworthy. The cinematography is stunning, and the movie is beautifully edited. The soundtrack complements the images and creates a mood that is both contemplative and engaging. The pacing of the film is just right, and the narrative flows smoothly from one theme to the next.

In conclusion, In Defence of Sacred Images is a powerful and thoughtful documentary that explores a complex and multifaceted issue. It invites viewers to think deeply about the role of images in religious worship and the ethics of using religious imagery for commercial and political purposes. The film offers no answers, but it encourages us to engage in meaningful dialogue and to reflect on our values and beliefs. For anyone interested in religion, art, and culture, this movie is a must-see.

In defence of sacred images is a 2018 documentary with a runtime of 53 minutes.