Ep 2. 176, 172, 171

Work In Progress season 1 continues its exploration of queer identity, mental health, and the challenges of contemporary relationships in episode 2, "176, 172, 171." This chapter sees Abby continuing to negotiate the fallout from her failed suicide attempt while trying to forge a connection with the trans man she met at the bar in the previous episode.

As Abby seeks therapy, viewers gain further insight into the complex inner workings of her mind. From her instinctual hatred of mirrors to her aversion to the number 8, it becomes apparent that Abby's struggles with both her mental health and her gender identity are deeply intertwined. Through darkly comedic and often painfully vulnerable scenes, Work In Progress explores the complex interplay between personal trauma and societal expectations.

One of the episode's major plotlines revolves around Abby's tentative yet growing relationship with Chris, the trans man she meets in a bar. As Abby struggles to navigate the complexities of attraction and intimacy, Chris presents a refreshing counterpoint to the cis men she's dated in the past. While it remains to be seen whether their connection will ultimately prove meaningful, the portrayal of a trans love interest on mainstream television feels like an important step forward in terms of queer representation.

The episode also delves deeper into Abby's fraught relationship with her family. When she's forced to call her mother for help with a medical bill, tensions quickly escalate. Abby's mother is critical and dismissive, failing to grasp the gravity of Abby's mental health struggles and even going so far as to suggest that Abby's gender identity is a passing phase. The contrast between her mother's lack of empathy and Chris's kind, supportive presence in Abby's life highlights the importance of chosen family for many queer people.

Throughout the episode, Work In Progress portrays Chicago as a city full of diversity and possibility. From the trans bar where Abby meets Chris to the diverse cast of characters who populate her therapist's waiting room, the show's depiction of the Windy City is refreshingly inclusive. At the same time, the show doesn't shy away from the realities of homophobia and transphobia. When Abby and Chris go out to a restaurant, their enjoyment of the meal is disrupted by a group of rowdy young men who start harassing them. The show's willingness to portray the harsh reality of hate crimes against the queer community serves as an important reminder of the challenges that still exist even in progressive cities like Chicago.

One of the most striking aspects of "176, 172, 171" is its willingness to embrace discomfort. Whether it's the awkwardness of Abby's therapy sessions or the anxiety she feels about her developing relationship with Chris, the show's unflinching portrayal of difficult emotions is both refreshing and challenging. At the same time, Work In Progress remains darkly funny and full of heart. The episode's final moments, which see Abby taking a trip to the beach with Chris, offer a brief respite from the pain and uncertainty of her everyday life.

Overall, "176, 172, 171" is another strong entry in Work In Progress's debut season. With its rich character development, nuanced exploration of queer identity, and willingness to tackle difficult subject matter, the show continues to stand out as one of the most unique and engaging shows on television today.