Watch In Our Time

In Our Time is a critically acclaimed Taiwanese film directed by Edward Yang and released in 1982. This drama offers a poignant portrayal of various individuals at different stages of life, navigating their way through the complexities of traditional Taiwanese society. Although the film might not be widely known to international audiences, it holds great significance within Taiwanese cinema and serves as an early example of Edward Yang's exceptional talent as a filmmaker.

The movie portrays the experiences and struggles of four different characters, each representing a distinct age group and facing their own unique challenges. Their interconnected stories present a multifaceted exploration of Taiwan's social and cultural landscape.

The first story revolves around young schoolgirl Hsiao-fang (played by Emily Y. Chang). Hsiao-fang, a teenager in junior high, is on the verge of discovering the complex realities of love and relationships. Amidst her school life and friendships, she forms a bond with a slightly older classmate, Ah-tze (played by Chi Chen). Their innocent relationship provides a glimpse into the confusion and vulnerability they both experience as they navigate their first taste of romance.

The film then transitions to the story of Ah-chin (Sylvia Chang), a young factory worker, and Ah-chin's father (Terry Hu), an elder living in the same household. Ah-chin, an ambitious young woman, is determined to escape her monotonous factory job and pursue a career as a singer. Meanwhile, her father, an old man trying to understand the rapid changes in the world around him, struggles with feelings of isolation and alienation. Through their shared experiences and contrasting perspectives, the film examines the generational gap and the challenges faced by young people striving for a better future.

In parallel, the movie delves into the life of a middle-aged couple, Chen and Ching (played by I-Chen Ko and Ju-Chu Ou-Yang, respectively). Chen and Ching are grappling with the monotony and disillusionment that often accompanies a long-term marriage. Their stagnant relationship highlights the impact of societal expectations and cultural norms on personal fulfillment. As they analyze the choices they made and reflect on their lost dreams, the film explores themes of regret and the constant struggle to find happiness.

The final story follows the elderly Mr. and Mrs. Wu (played by Tao-Yuan Yeh and Hsi-Chun Yang). Having spent their entire lives together, they find solace in each other's company as they battle illness and the prospect of death. Through their quiet moments of tenderness, the film contemplates themes of mortality, companionship, and the resilience of the human spirit. Their story serves as a poignant reminder of the fragility and beauty of life.

The unique narrative structure of In Our Time, consisting of four segmented stories, allows viewers to witness the interconnectedness and cyclical nature of life. The film's deeply humanistic approach paints a vivid portrait of Taiwan during the 1980s and offers insightful commentary on issues such as societal expectations, individual aspirations, and the ever-changing fabric of Taiwanese culture.

With his keen directorial eye, Edward Yang captures the subtleties and nuances of everyday life, highlighting the emotional undercurrents that shape human relationships. The performances by the ensemble cast, particularly Emily Y. Chang, Sylvia Chang, and Chi Chen, are remarkable, exuding authenticity and capturing the complex emotional realities of their characters.

In Our Time is not a film that pursues sensationalism or grand narratives. Instead, it weaves together intimate stories and explores the quiet moments that define our existence. It provides a window into the lives of its characters, inviting audiences to reflect on their own experiences and journey through life. Through its profound humanism and nuanced storytelling, In Our Time remains a treasured gem in Taiwanese cinema.