Watch Sauve qui peut
- 1 hr 27 min
Sauve qui peut (la vie) is a French film from 1979, directed by Jean-Luc Godard. The film stars Nathalie Baye, Jacques Dutronc, and Isabelle Huppert. The title, which means "Every Man for Himself (Life)" in English, is a phrase used to indicate that people should save themselves when a dangerous situation arises. The film is divided into three parts, which are loosely connected. The first part depicts the world of television, with Baye playing a television producer who is having an affair with Dutronc's character, a television cameraman. Huppert plays a prostitute who becomes involved with both of them. The second part of the film follows Baye's character as she tries to start a new life after breaking up with Dutronc's character. Finally, the third part of the film follows Dutronc's character as he attempts to reconnect with his son.
Sauve qui peut (la vie) is a film about contemporary life in France. Godard explores themes such as love, sex, money, and power in the context of modern society. The film is shot in Godard's signature style, with long takes, jump cuts, and non-linear narratives. The cinematography is impressive, and the use of color and light is particularly noteworthy.
One of the most striking aspects of the film is the performances of the actors. Baye, Dutronc, and Huppert all deliver nuanced and compelling performances. Baye's character is torn between her desire for artistic integrity and her need to make money. Dutronc's character is struggling to find his place in the world, while Huppert's character is trying to survive in a harsh and unforgiving environment.
Another notable feature of Sauve qui peut (la vie) is the soundtrack. The film features music by a range of artists, including David Bowie, Gabriel Faure, and Johann Sebastian Bach. The eclectic mix of music adds to the film's sense of experimentation and unpredictability.
Overall, Sauve qui peut (la vie) is a complex and challenging film. It is not a traditional narrative, and some viewers may find it difficult to follow. However, for those who are willing to engage with the film on its own terms, it offers a rich and rewarding cinematic experience. The film is a testament to Godard's status as one of the most innovative and influential filmmakers of his generation.