Watch Three Plus Two

Three Plus Two is a quintessential example of Soviet comedy from the early 1960s, regarded as an iconic movie in Russian cinematography. Released in 1963 and directed by Genrikh Oganisyan, this film presents a lighthearted and entertaining story of unexpected encounters, romantic comedy, and the enduring spirit of camaraderie. The leading cast, consisting of Natalya Kustinskaya, Natalya Fateeva, and Andrey Mironov, delivers performances that have endeared them to audiences for generations.

The film is set during the summer at a serene seaside location, which serves as the perfect backdrop for the comedic events that unfold. The plot revolves around a group of friends -- two young men and three young women -- who converge on a desolate sea coast, each hoping to enjoy a tranquil holiday by the sea, away from the hustle and bustle of city life.

Natalya Kustinskaya and Natalya Fateeva star as part of the trio of independent, spirited women who are intent on spending their summer vacation relaxing on the beach, taking a break from the demands of their professional lives. They are portrayed as modern, self-sufficient women, a depiction that was forward-looking for the era and culture. Their characters are strong-willed, assertive, and unafraid of challenging social norms, all done with a comedic flair that underlines the film's light-hearted nature.

Andrey Mironov, meanwhile, is one of the two male protagonists who, along with his companion, chances upon the same secluded seaside spot. As an actor known for his comedic timing and expressive performances, Mironov's character is instantly likeable and often finds himself at the center of the movie's comedic set pieces. His character's interactions with the female trio drive much of the humor throughout the film.

The encounter between the two groups is anything but smooth. Initially, both parties are determined to have the space to themselves, leading to a series of comedic disputes and efforts to outdo one another. These interactions are characterized by good-natured pranks, witty dialogue, and amusing misunderstandings that capture the essence of an unintended shared vacation experience.

As the film progresses, the dynamics between the group start to shift. The initial rivalry and contention give way to friendships and, perhaps inevitably in a romantic comedy, sparks of attraction begin to fly between some of the characters. Throughout this evolution, the film explores themes of companionship, love, and the importance of open-mindedness. The characters' relationships with each other grow deeper and more intricate, showcasing the actors' chemistry and comedic prowess.

One element that made Three Plus Two distinct in the Soviet cinema landscape of its time was its refreshing portrayal of youth culture. The younger generation of the '60s is depicted with a sense of freedom and optimism that resonates with the changing attitudes of society at large. The cultural zeitgeist of a more open and liberated youth is captured through the characters' behavior, dress, and the summery, carefree aesthetic of the film.

The movie is also underlined by its rich scenic vistas. The cinematography captures the coastal landscapes beautifully, using the beach and the sea as a metaphor for open spaces and new horizons. This not only adds visual appeal but also complements the film's overarching themes of escape from the regimentation of urban life.

The comedy is further enhanced by an original musical score, which is lively and captures the zeitgeist of the time. The music acts not just as a backdrop but as a narrative device, accentuating the emotional and humorous aspects of the film. Songs and melodies punctuate key moments, providing an additional layer of enjoyment for the audience.

Three Plus Two is ultimately a film that charms with its simplicity and wit. It does not seek to dissect complex psychological motifs or delve into dark societal commentaries. Instead, it aims to entertain and amuse, inviting viewers into a sunny world where everyday problems seem a little further away. The film’s appeal lies in its ability to preserve this sense of timelessness and levity, making it a piece of cinematic history that is still appreciated in modern-day Russia and beyond.

Given its place in the canon of Soviet cinema, Three Plus Two has remained popular not just as a source of laughter but also as an enduring symbol of a particular era in Soviet culture. It stands as a testament to the lighter side of Soviet filmmaking, celebrating the human spirit with charm, whimsy, and a touch of romantic idealism. For many Soviet and post-Soviet viewers, the film is a nostalgic reminder of youth, summertime, and the possibilities that life can offer when different paths cross in the most unexpected of ways.