Art of The Western World Season 1 Episode 9 In Our Own Time
- TV-NR
- January 1, 1989
- 57 min
In Our Own Time, the ninth episode of Art of the Western World season 1, deep dives into contemporary art. The episode explores the emergence of new art forms and styles since World War II and discusses how these developments challenged traditional notions of art. The episode covers a broad range of artists and movements, including Pop Art, Minimalism, Conceptual Art, Performance Art, and Installation Art.
The episode starts with an introduction to Pop Art and the works of Andy Warhol. The host highlights the importance of consumer culture in Warhol's works and the influence of mass media on his art. The episode also showcases other Pop artists such as Roy Lichtenstein and Jeff Koons and their contribution to the movement.
Moving forward, the episode shifts its focus to Minimalism. The episode examines the works of Donald Judd, Carl Andre, and Dan Flavin, who rejected traditional art forms and materials. The host explains the minimalist approach to art, which stripped art of everything extraneous and reduced art to its basic elements. The episode explores how Minimalism influenced other art movements and how its legacy can still be seen in contemporary art today.
The episode also discusses Conceptual Art, a movement that challenged the materiality of art. The host explains how Conceptual Art rejected traditional art-making methods and focused on ideas and concepts. The episode showcases the works of artists like Sol LeWitt, Joseph Kosuth, and Marcel Duchamp, who experimented with unconventional materials and mediums to create thought-provoking art.
Next, the episode explores Performance Art, a medium that brought live actions and events into the realm of art. The host discusses the works of Marina Abramović, who challenged the audience's boundaries and perceptions. The episode also features the works of other performance artists such as Vito Acconci and Carolee Schneemann, who incorporated the body and physical sensations into their art.
Finally, the episode concludes with a discussion on Installation Art, a medium that transforms spaces into immersive environments. The host explains how installation art changed the way people experienced art and how it often had a political or social message. The episode showcases the works of artists like Christo and Jeanne-Claude, who created large-scale public installations, and Ann Hamilton, who explored intimate and personal spatial experiences.
Throughout the episode, the host contextualizes each art form and movement within the cultural and historical context of the time. The episode also features interviews with contemporary artists, critics, and scholars, who provide insights and interpretations into these art forms. Overall, In Our Own Time is an insightful and engaging exploration of contemporary art and its impact on the way we perceive and experience art.