Ep 6. Stigmata Martyr

In the sixth episode of Deadly Class season 1, titled "Stigmata Martyr," viewers are taken on a rollercoaster ride of emotions as the consequences of past actions weigh heavily on the characters.

The episode begins with Marcus (Benjamin Wadsworth) and the other students being punished for their involvement in the attempted assassination of Ronald Reagan. The punishment involves being forced to clean up the school's gym, which has been used to house the bodies of cartel members that were killed in the previous episode.

As the students clean, tensions rise between them as they struggle to come to terms with their own actions and the consequences that they may face. Marcus, in particular, is struggling to deal with the guilt of his involvement in the attempted assassination and the fact that he may have put everyone in danger.

Meanwhile, we see the fallout from another event that took place in the previous episode. Chico (Michel Duval) has discovered that Maria (María Gabriela de Faría) has been lying to him about her past and her involvement with another student, Saya (Lana Condor). As a result, he sets out for revenge, leading to a violent confrontation between the two.

The theme of guilt and redemption is further explored in this episode through the character of Willie (Luke Tennie). Willie is dealing with the guilt of killing a man in self-defense, and is struggling to find a way to come to terms with his actions. His storyline culminates in a powerful scene where he confronts his past and finally begins to move forward.

The episode also introduces a new character in the form of Master Zane (Henry Rollins), a former mentor of Master Lin (Benedict Wong). Master Zane is an enigmatic figure who seems to have a history with both Master Lin and the school, and who has his own agenda.

Overall, "Stigmata Martyr" is a thought-provoking episode that delves deeper into the motivations and struggles of the characters. It offers an emotional and intense look at the consequences of actions, and leaves viewers on the edge of their seats for what's to come.