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Hot Blood is a 1956 musical comedy film featuring the iconic Jane Russell, Cornel Wilde, and Luther Adler. The movie was directed by Nicholas Ray and is set in 1920s New York. The movie tells the story of a struggling Italian immigrant who dreams of becoming a successful Grand Opera star. Russell plays the Italian immigrant, the beautiful and ambitious Angela Gardner, who has a dream of becoming a famous opera singer. Cornel Wilde plays the music composer who discovers her talent in a small Italian restaurant where she belted out an aria for his jaded ears. The composer, however, soon realizes that Angela's voice isn't suited for opera. It's too brash, rugged, and American to fit the refined and aristocratic style of the Italian art form. To make matters worse, Angela is in love with the composer, and he is engaged to another woman, leading to a complicated love triangle.

The film's themes delve into love, ambition, and cultural identity. Angela's dream of becoming an opera singer has a deeper meaning than just fulfilling her personal ambition. It represents her yearning to be accepted in a society that often doubles down on her otherness. Angela has to navigate the prejudices and preconceptions rooted in her gender, ethnicity, and social class. She faces unique obstacles like her thick accent, lack of formal training, and non-traditional voice that may not fit the cookie-cutter standards of the Grand Opera. However, Angela is a tenacious woman who refuses to be put down. She persists on taking vocal lessons from the composer to refine her style and perfect her craft.

Despite the odds, Cornel Wilde's character sees potential in Angela's unique and unconventional voice. Her rough and powerful style gives the Italian composer a new direction in his music. Together, they collaborate on a new genre, blending the American jazz style with the traditional Italian opera. The resulting fusion creates a remarkable and irresistible combination that takes the city by storm.

In between creating new music, Angela tries to convince the composer to return her affection. However, he is resistant. He is torn between his loyalty to his fiancé and the growing feelings he has for the immigrant. He understands how meaningful his encouragement is to Angela's career aspirations, but he refuses to hurt his lover in the process. Meanwhile, Angela's rival, Madame Della Rosa (Luther Adler), is jealous of Angela's growing success and plots to ruin her career. Della Rosa tries to sabotage her by spreading rumors about her behavior and social standing. Angela's resilience is tested, but she emerges victorious when her talent speaks louder than her detractors' whispers.

The movie's music is another standout. Unlike most musicals, the film doesn't bombard the audience with continuous singing and dancing. Instead, the music is weaved into the story effortlessly to create a cohesive tone. The movie doesn't shy away from showcasing the vocal talents of Jane Russell and Cornel Wilde either. The pair's duet combines the raw energy of Russell's jazz voice with Wilde's classical notes, creating a symphony of sound that's both unique and enchanting.

In conclusion, Hot Blood is a charming musical movie that takes audiences on an emotional journey through the struggles and triumphs of a talented immigrant. The beautiful Jane Russell, Cornel Wilde, and Luther Adler deliver stellar performances that elevate the film above the standard musical fare. The movie is an excellent showcase of the era's fusion of music, blending American jazz and traditional Italian Opera. The movie is a beautiful blend of comedy, love, and music, and it's still engaging and enjoyable six decades after its release.

Hot Blood is a 1956 drama with a runtime of 1 hour and 25 minutes. It has received moderate reviews from critics and viewers, who have given it an IMDb score of 5.7.