Austin City Limits Season 35 Episode 14 Them Crooked Vultures

Austin City Limits is a highly popular American music television show created in 1974 that features exclusive performances by a wide range of musicians across genres, recorded in front of a live studio audience. The show has been hailed as an institution in the world of music, promoting new artists and showcasing the work of established legends in an intimate setting. In its 35th season, the show brings to its viewers an electrifying episode featuring rock supergroup Them Crooked Vultures.

Them Crooked Vultures is a collaborative rock project formed in 2009, bringing together Josh Homme of Queens of the Stone Age on vocals and guitar, Dave Grohl of Foo Fighters and Nirvana on drums and backing vocals, and John Paul Jones of Led Zeppelin on bass and keyboards. The band, whose name is inspired by an Elvis Presley quote, has been described as a modern-day supergroup, melding the riff-heavy sound of Queens of the Stone Age with the psychedelic rock of Led Zeppelin, and the hard-hitting drums of Foo Fighters.

The episode begins with the band taking the stage, the energy in the room palpable with excitement. The band kicks into their opening number, "No One Loves Me and Neither Do I," a thundering track off their self-titled debut album. Homme's fierce guitar riffs and Jones' funky bass grooves combine with Grohl's powerful drumming, showcasing the band's signature sound.

Throughout the episode, Them Crooked Vultures delivers a blistering set that covers all the highlights of their brief yet brilliant run as a band. The band's chemistry is evident in tracks such as "Dead End Friends" and "Scumbag Blues," which highlight Homme and Jones' vocal harmonies and Grohl's pounding rhythms. As the band moves through their set, the individual members shine, with Homme delivering searing guitar solos and Jones taking center stage with his bass and keyboard work.

One highlight of the episode is the band's performance of "Mind Eraser, No Chaser," a track that features one of Grohl's most impressive drum solos. The crowd is on their feet as the band takes the song to new heights, showcasing their incredible musicianship and undeniable chemistry.

The episode also features a performance of "Elephants," a track that showcases the band's more psychedelic side, with Homme's ethereal vocals and Jones' swirling keyboards taking center stage. The band's music is a perfect match for the Austin City Limits stage, with the intimate setting allowing for the nuances of their sound to shine through.

Them Crooked Vultures closes out their set with "Warsaw or the First Breath You Take After You Give Up," an epic track that highlights the band's ability to deliver visceral, emotionally charged performances. As the song comes to a close, the band takes their final bows, leaving the audience screaming for more.

Overall, the episode is a testament to the power of live music and the incredible talent of these three musicians. Them Crooked Vultures may have been a short-lived project, but their impact on the rock world is undeniable. This episode of Austin City Limits is a must-see for any fan of rock music and a showcase of the incredible performances that the show brings to its viewers.