Austin City Limits Season 46 Episode 10 Ray Wylie Hubbard

Ray Wylie Hubbard, the Texas country icon, performs on Austin City Limits in season 45 episode 25. Hubbard is known for his bluesy, storytelling brand of country music. He's been in the industry for over 40 years, and has recorded over 20 albums throughout his career. In this episode, he takes the stage to perform a mix of classic tunes and new material.

Opening with "Train Yard," Hubbard sets the tone for a night of soulful, emotive country. His raspy voice is gritty and rough around the edges, adding an extra layer of depth to his lyrics. The song tells the tale of a broken-hearted man, haunted by the memory of a past love. Hubbard's guitar work is equally impressive, with complex fingerpicking and slide techniques.

Next up, Hubbard performs "Hey Mama, My Time Ain't Long," a bluesy number that showcases his storytelling abilities. The song tells the story of a man who knows his time is up, and wants to live his life to the fullest before it's too late. Hubbard's lyrics are poetic and profound, painting vivid images of a man staring down mortality.

"Snake Farm," Hubbard's most well-known hit, is up next. The song has a catchy, sing-along chorus, and tells the story of a wild and dangerous place in Texas where one can find all manner of creepy crawlies. Hubbard's guitar playing is sharp and precise, and his stage presence really shines on this upbeat number.

Hubbard takes things down a notch with the gentle ballad "Drunken Poet's Dream." The song is stripped down to just Hubbard's vocals and acoustic guitar, allowing the lyrics to take center stage. The song explores the nature of inspiration, and how getting lost in a few too many drinks can lead to creative breakthroughs.

For "Rock and Roll Gypsy," Hubbard switches gears into full-blown rock mode. The song is high-energy and raucous, with plenty of distorted guitar riffs and driving rhythms. Hubbard's voice is rough and raw, perfectly suited for this type of high-octane tune. It's a fun, rollicking ride that showcases Hubbard's versatility as a musician.

Wrapping up the set, Hubbard performs "Red Dress." The song is a slow, simmering blues number with a hypnotic groove. Hubbard's guitar work is intricate and nuanced, weaving in and out of the melody and building to a powerful climax. It's a fitting way to end the night, with Hubbard leaving everything he's got on the stage.

Overall, Ray Wylie Hubbard's performance on Austin City Limits is a masterclass in storytelling and musicianship. Hubbard's voice and guitar playing are both top-notch, and his repertoire of songs is diverse and engaging. Whether you're a die-hard country fan or just appreciate great music, there's something for everyone in this episode.