When a disgraced former college professor has a romance with a mysterious younger woman haunted by her dark twisted past, he is forced to confront a shocking secret about his own life that he has kept secret for 50 years.
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Stars
Anthony Hopkins, Nicole Kidman, Ed Harris, Gary Sinise, Wentworth Miller
A platinum-class production that tackles the major hot-button issue of American racism and yet somehow never manages to connect emotionally either through its main characters or story.
Benton, miraculously, has achieved the worst of both worlds. He has laid bare a great author's creaky plotting only to deliver a melodrama with bookish pretensions.
The movie is fully worthy of the book, and will reach many people who might not have enjoyed the delightful experience of gliding through Mr. Roth's trenchant and zestful prose on the human condition.
Between the labors of simplifying the story for the screen and accommodating the stardust of world-class actors, an essentially, uniquely American tragic hero and heroine are bleached of real American tragedy.
A tricky adaptation of an unlikely novel that nevertheless goes almost as wrong as possible...prey to the most amateur varieties of structural and tonal errors.
Alem das pessimas escalacoes de Hopkins e Kidman, que simplesmente nao convencem em seus papeis, o filme ainda sofre em funcao do roteiro sem foco de Meyer.
The Human Stain is an interesting film that doesn't quite work. [It] is probably the best film version possible of what is essentially an unfilmable work.
But audiences truly fascinated with the issues it touches upon -- class and sex, race and identity -- would be better off to search out the source material that delves into them deeply.
The filmmakers explicate Mr. Roth's themes with admirable clarity and care and observe his characters with delicate fondness, but they cannot hope to approximate the brilliance and rapacity of his voice.
Benton and Mayer have gutted the novel's uncivil, discomforting viscera -- including Roth's pokes at political correctness -- and delivered an uninteresting, at times comically inappropriate 'tasteful' story.
The Human Stain has those qualities we often want but rarely see in our films: intelligence and ambition, decency and humanity, poetry and pity, fire and ice.
Undemanding viewers will probably find enough intriguing material here to make it worth a look, but I was too disappointed by the wasted potential to be enthusiastic.
The acting here is terrific, which is no surprise, as Benton is a great director of actors. And this is a true ensemble, with no one person outshining anyone else.
It neatly illustrates the perils of kidnapping a decent novel from its rightful home and exposing the vulnerable thing to the glare of a Hollywood camera.
The first hour of their movie is quite fine, at times poignant, but ultimately the filmmakers give us a love triangle that all but erases one of its legs.
Roth may be a brilliant writer -- he's got the prizes to prove it -- but he doesn't create brilliant characters (especially female ones), and his plots work better on the page than on the screen.
The thriller aspects of the story and the overall solid level of acting -- including a sexy performance from a red-hot Nicole Kidman -- keep the audience interested but never fully emotionally involved.
Both Nicole Kidman and Anthony Hopkins are vastly miscast in Robert Benton's poor adaptation of Philip Roth's poignant novel, one of the few works about contempo academic battlefields.
The film's frame groans in its attempt to contain such a complex story, and its actors ask us to accept implausible things... but it's ultimately rewarding.
A valiant attempt to bring a difficult book (Philip Roth's The Human Stain) to the screen that's undermined by the added distraction of Nicole Kidman as a char lady.
With all the legs flailing, earnest speechifying, hot-headed outbursts, and mild abuse of crockery, Robert Benton's adaptation feels more like a fat Greek wedding than an Ancient Greek tragedy.