Charms with its breezy, stylized storytelling [and] the wide eyes and breathless expression of Audrey Tautou liabilities include a slightly dragged-out resolution and a rather amoral view of sexuality.
The sunniest face and the greatest acclaim belong to Audrey Tautou, who is new to these shores. A delight in the title role, she's like a young Audrey Hepburn, making us laugh and feel empathy without feeling manipulated.
The first half of this insistently goofy romantic comedy buzzes with the marauding ingenuity of director Jean-Pierre Jeunet, but it overstays its welcome.
In his solo effort, Jeunet puts aside the darkly humorous sensibility of his previous films (Delicatessen, co-directed with Caro)in the service of a sweet but toothless (and sexless) romantic comedy that's bound to make lead Audrey Tautou a star.
While this is generally the kind of overly-whimsical, light-hearted yet pretentious, foreign art-house crapola I tend to avoid, I gotta say this was pretty good
It's hard to be charmed, hard to think of a movie as a delightful trifle, when you're so conscious of how hard the filmmakers are working to make it charming.
Amelie and Nino's love story bursts forth in a colorful fantasia. Their wild goose chase of romance soars as high as Bruno Delbonnel's absinthe-tinged camerawork. And their kiss makes for one of the Zeroes' most tender and quietly sensual.
Tautou's inherent charm, garnished with a gaze of innocent sexuality, lends the character of Amelie the perfect recipe for audiences to take her to their collective hearts.
Amelie is filled with memorable characters brought to life by a terrific cast, and nobody is better than [Audrey] Tautou, the radiant beauty in the title role.
Tautou...is absolutely delightful playing the simple, lovable, waiflike lead character, who is so irresistibly drawn to people yet unable to interrelate with them.
A charming, modern-day fairy tale - tucked in the frames are wonderful little surprises like eating strawberries from your fingers and clouds that look like bunnies.